To make this the most effective, pick two chords that have absolutely nothing to do with each other. Here are a few examples:
E - C - E - C -
Fm - D - Fm - D -
Ebm7 - Gm7 - Ebm7 - Gm7 -
Fm - D - Fm - D -
Ebm7 - Gm7 - Ebm7 - Gm7 -
For the ultimate floaty effect, pick two seventh chords half an octave apart. These chords are tonally as far removed from each other as any two chords can be -- yet, paradoxically, they share two out of four notes in common. It's like moving to the opposite end of the room while standing perfectly still. Spooky!
G7 - D♭7 - G7 - D♭7 -
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