After you finish a song, you have to live with it. If something bugs you just a tiny bit now, will it make you cringe years from now, every time you hear the song?
I'm a songwriter with a long history, and when I listen to my earlier albums, I'm embarrassed at the songwriting flaws that I feel I could easily have avoided.
Of course, you can't afford to bring your creativity to a halt out of the fear that you'll create something that you might dislike later. What I recommend is listening just once with a self-conscious perspective. For example, pretend that your song has become a TV theme song, and it's heard again and again by millions of people.
In that imaginary context, is there one little flaw in your song that stands out, something that you'd like to fix? If there is, fix it now.
Showing posts with label listening. Show all posts
Showing posts with label listening. Show all posts
Monday, June 28, 2010
Monday, March 29, 2010
Casual listening and critical listening (Songwriting tips)
Listening is a musician's most valuable skill. But how you listen is just as important as how well you listen.
Critical listening means listening for flaws. With highly trained ears, you can hear when a note is slightly flat or sharp, when a player is slightly ahead of the beat or behind it, and when a guitar tone is too dull or too intense. An untrained ear can sort of hear that something is a little off, but your trained musical ear can hear exactly what's wrong, and hopefully you can take steps to fix it.
Critical listening is essential, but if you do it all the time, you will just make yourself unhappy, and probably everyone around you too! It's just as important to be able to do casual listening: experiencing the song the way a typical audience member will listen to it. That means being uncritical, detached, unfocused, and not even paying full attention.
Critical listening will help you get the details right. Casual listening will help you have a successful song. Make sure you know the difference and that you develop both of these skills.
Critical listening means listening for flaws. With highly trained ears, you can hear when a note is slightly flat or sharp, when a player is slightly ahead of the beat or behind it, and when a guitar tone is too dull or too intense. An untrained ear can sort of hear that something is a little off, but your trained musical ear can hear exactly what's wrong, and hopefully you can take steps to fix it.
Critical listening is essential, but if you do it all the time, you will just make yourself unhappy, and probably everyone around you too! It's just as important to be able to do casual listening: experiencing the song the way a typical audience member will listen to it. That means being uncritical, detached, unfocused, and not even paying full attention.
Critical listening will help you get the details right. Casual listening will help you have a successful song. Make sure you know the difference and that you develop both of these skills.
Sunday, September 13, 2009
Online resource: Music theory podcast
Here's a free course at iTunes U that beginners might find helpful. Some fundamental music theory concepts demonstrated on the piano, courtesy of University of Tennessee, Knoxville, and iTunes Music Store.
You'll need to install iTunes software first; then you can retrieve the lessons at the following links.
Music Theory Fundamentals
Music Theory 2
Music Theory 3
Music Theory 4
You'll need to install iTunes software first; then you can retrieve the lessons at the following links.
Music Theory Fundamentals
Music Theory 2
Music Theory 3
Music Theory 4
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